Morten Løbner Espersen



Horror Vacui, 2018
Horror Vacui, 2018
stoneware, glazes
60 x 50 x 50 cm
23.62 x 19.69 x 19.69 in

Horror Vacui, 2017
Horror Vacui, 2017
stoneware, glazes
57 x 45 x 45 cm
22.44 x 17.72 x 17.72 in

Horror Vacui, 2018
Horror Vacui, 2018
stoneware, glazes
65 x 50 x 50 cm
25.59 x 19.69 x 19.69 in

Horror Vacui, 2018
Horror Vacui, 2018
stoneware, glazes
62 x 50 x 50 cm
24.41 x 19.69 x 19.69 in

Horror Vacui, 2019
Horror Vacui, 2019
stoneware, glazes
62 x 50 x 50 cm
24.41 x 19.69 x 19.69 in

Horror Vacui, 2018
Horror Vacui, 2018
stoneware, glazes
55 x 45 x 45 cm
21.65 x 17.72 x 17.72 in

Horror Vacui, 2018
Horror Vacui, 2018
stoneware, glazes
54 x 44 x 44 cm
21.26 x 17.32 x 17.32 in

Horror Vacui, 2018
Horror Vacui, 2018
stoneware, glazes
62 x 54 x 54 cm
24.41 x 21.26 x 21.26 in

Horror Vacui, 2018
Horror Vacui, 2018
stoneware, glazes
65 x 50 x 50 cm
25.59 x 19.69 x 19.69 in

Moon Drop, 2017
Moon Drop, 2017
Stoneware, glazes
55 x 37 x 37 cm
21.65 x 14.57 x 14.57 in

Moon Drop, 2018
Moon Drop, 2018
Stoneware, glazes
53 x 40 x 40 cm
20.87 x 15.75 x 15.75 in

Moon Drop, 2018
Moon Drop, 2018
Stoneware, glazes
56 x 36 x 36 cm
22.05 x 14.17 x 14.17 in

Moon Drop, 2018
Moon Drop, 2018
Stoneware, glazes
64 x 46 x 46 cm
25.2 x 18.11 x 18.11 in

Moon Drop, 2018
Moon Drop, 2018
Stoneware, glazes
63 x 38 x 38 cm
24.8 x 14.96 x 14.96 in

Moon Drop, 2018
Moon Drop, 2018
Stoneware, glazes
51 x 46 x 46 cm
20.08 x 18.11 x 18.11 in

Magma, 2018
Magma, 2018
Stoneware, glazes
105 x 90 x 90 cm
41.34 x 35.43 x 35.43 in

Moon Drop, 2017
Moon Drop, 2017
Stoneware, glazes
45 x 37 x 37 cm
17.72 x 14.57 x 14.57 in




Danish, born in 1965 in Aalborg.
Lives and works in Copenhagen Denmark


Morten Løbner Espersen received bis education in the early 1990s in Copenhagen, where he learned a mastery of his craft according to traditional rules. Ever since, he has been busy challenging these teachings. Lobner Espersen’s taste for experimentation has led him to question and deconstruct all of the principles he learned in his training.
Obsessed by the concept of ornament, he has made of simple shapes his objects of choice:  bucket-like vessels, moon jars and classic necked vases onto which he applies thick coats of glazes layer by layer, firing after firing. Fascinated by the versatility of his material Løbner Espersen works towards his goal “to master errors in the glaze to perfection” by assuming a prolific production, inevitably embracing the unexpected as the inherent consequence of his choice of materials.