Morten Løbner Espersen
 
                                            ceramic
65 x 50 x 50 cm
25.59 x 19.69 x 19.69 in
Enquiries about work INV Nbr. 7887
 
                                            ceramic
65 x 50 x 50 cm
25.59 x 19.69 x 19.69 in
Enquiries about work INV Nbr. 7888
 
                                            ceramic
65 x 50 x 50 cm
25.59 x 19.69 x 19.69 in
Enquiries about work INV Nbr. 7890
 
                                            stoneware, glaze
65 x 44 x 44 cm
25.6 x 17.3 x 17.3 in
Enquiries about work INV Nbr. 5843
 
                                            stoneware, glazes
57 x 45 x 45 cm
22.44 x 17.72 x 17.72 in
Enquiries about work INV Nbr. 6385
 
                                            ceramic
65 x 50 x 50 cm
25.59 x 19.69 x 19.69 in
Enquiries about work INV Nbr. 7889
 
                                            Stoneware, glazes
45 x 37 x 37 cm
17.72 x 14.57 x 14.57 in
Enquiries about work INV Nbr. 6404
 
                                            Stoneware, glazes
63 x 38 x 38 cm
24.8 x 14.96 x 14.96 in
Enquiries about work INV Nbr. 6399
 
                                            Stoneware, glazes
55 x 37 x 37 cm
21.65 x 14.57 x 14.57 in
Enquiries about work INV Nbr. 6403
Danish, born in 1965 in Aalborg.
Lives and works in Copenhagen Denmark
Morten Løbner Espersen received bis education in the early 1990s in Copenhagen, where he learned a mastery of his craft according to traditional rules. Ever since, he has been busy challenging these teachings. Lobner Espersen?s taste for experimentation has led him to question and deconstruct all of the principles he learned in his training.
Obsessed by the concept of ornament, he has made of simple shapes his objects of choice:  bucket-like vessels, moon jars and classic necked vases onto which he applies thick coats of glazes layer by layer, firing after firing. Fascinated by the versatility of his material Løbner Espersen works towards his goal ?to master errors in the glaze to perfection? by assuming a prolific production, inevitably embracing the unexpected as the inherent consequence of his choice of materials.